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DISCLAIMER: I am NOT the writer of this fanfic! (Jake Tanner is.) I'm just translating the original gibberish into more intelligible speech. I decided to do the third flavor of the NVR Challenges; the rules of which I have posted on the repost of the original fanfic, which is here: narutoveangancerevelaitons.blo…
The translation is also a mix of sarcasm, commentary, and lampshading, and of course, none of the beliefs presented in this fanfic are in conformity with mine. I didn't really translate it as faithfully so that I can insert my rather sardonic comments between the lines.
Mature
© 2014 - 2024 el-Jimmeister
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Holy sheez nite. My trainwreck syndrome's going to be the end of me.
So, I don't know about you, but if I were a guy and a whole line of girls came up and tried to have some weird "session" with me, I'd be kicking them all in the face and getting the frick out of there. You wouldn't touch that. Ever.
You know, Jake? I have a feeling this isn't what you were going for, but there really is a way to describe a beautiful woman without making your audience want to puke. (Read this chapter before you softened the blow. I quit after she started lactating) I'm considering attempting a writing exercise inspired by Auguste Rodin's The Kiss, where the writing isn't just text and action; it's art. I intend to use emotion and symbology to detract from the erotic thrill and boil it down to the emotions of the lovers in full ardor and willing to express their vulnerabilities to each other. Oh goodness, I'm really tired and drifting off topic, but I felt like sharing that. When I wrote the love scene in Break In, it was all about the emotion and the catharsis. She was falling apart and he was reminding her he loved her. She was letting go of everything she had feared in becoming intimate with her husband again.
Which brings me here: Are you taking stamp requests right now? I've been wanting to get one that says "Sexuality and sensuality. There's a difference." Because in writing, there really is.
Heh. Mine's just a supernatural creature I hope everyone will pee their pants visualizing. I don't want to give away too much yet...
Holy sheez nite. My trainwreck syndrome's going to be the end of me.
So, I don't know about you, but if I were a guy and a whole line of girls came up and tried to have some weird "session" with me, I'd be kicking them all in the face and getting the frick out of there. You wouldn't touch that. Ever.
You know, Jake? I have a feeling this isn't what you were going for, but there really is a way to describe a beautiful woman without making your audience want to puke. (Read this chapter before you softened the blow. I quit after she started lactating) I'm considering attempting a writing exercise inspired by Auguste Rodin's The Kiss, where the writing isn't just text and action; it's art. I intend to use emotion and symbology to detract from the erotic thrill and boil it down to the emotions of the lovers in full ardor and willing to express their vulnerabilities to each other. Oh goodness, I'm really tired and drifting off topic, but I felt like sharing that. When I wrote the love scene in Break In, it was all about the emotion and the catharsis. She was falling apart and he was reminding her he loved her. She was letting go of everything she had feared in becoming intimate with her husband again.
Which brings me here: Are you taking stamp requests right now? I've been wanting to get one that says "Sexuality and sensuality. There's a difference." Because in writing, there really is.
Heh. Mine's just a supernatural creature I hope everyone will pee their pants visualizing. I don't want to give away too much yet...